Wednesday, 23 July 2014

The Duke & The Vicar's Daughter

£0.99 - out now
I am delighted to tell you that my latest Regency title, The Duke & The Vicar's Daughter, is now live on Amazon KDP.
This is my third new title this year and there will be the final part of the Barbara's War trilogy in September, and a Jane Austen variation, which I am writing at the moment, should be ready for publication in October. This will make a grand total of three full-length books and two shorter ones. I'm hoping to be able to write a  Regency with a Christmas theme, to come out in November, as well. Here is the blurb:

The Duke of Edbury decides he must marry an heiress if he is to save his estates. So far he has managed to stay out of the clutches of the predatory mama's who spend the Season searching for suitable husbands for their daughters. The god-daughter of his aunt, Lady Patience, might be a suitable candidate and he is persuaded to act as a temporary guardian to both Lady Patience and her cousin, Miss Charity Lawson. 
When Charity and Patience exchange places the fun begins.There is also the matter of an abandoned baby and an abduction, as well as the inevitable misunderstanding between Hugo and Charity, to sort out before there can be a happy resolution.


I hope you enjoy this story is much as I did writing it. My August release will be my final back list book, one I wrote way back in 2006. I shall get the rights back for my the books that are on Musa in October so will have those to republish next year.

http://amzn.to/1mCROgT
http://amzn.to/1tyDawX

Monday, 14 July 2014

Jane Jackson - Crosscurrents - is my guest today.

 Today I'm delighted to welcome Jane Jackson to my blog. Jane is going to tell us some historical facts upon which her book, Crosscurrents, is founded. There is also an extract form her new book -CROSSCURRENTS - which I can't wait to read.
Over to you Jane:



In  Regency times when clean drinking water could not be guaranteed, everyone from gentry to labourers drank ale.  Towns had commercial breweries while country houses and farms brewed their own ales of varying strengths.
Harvest time required hundreds of gallons of weak, thirst-quenching small beer. Strong ales brewed for the country gentleman’s table were often laid down like wine and kept for several years ready for important family occasions like a wedding or the birth of an heir.  
In the 1400s household beer was usually drunk out of horn cups.  With most farms having horned cattle this raw material was easy to obtain and making horn cups quickly became a recognised craft. They had the great advantage of being light, strong, and easy to carry when travelling.
Horn cups used by servants and labourers were simple in design. Those made for the wealthy often had rims decorated with silver or pewter.
By the mid C16th ale drinkers preferred glasses to horn cups. Most were imported from Venice and made of soda glass with a milky appearance that masked the cloudiness of home-brewed beer and ale.
Mid C17th brewers were producing clearer ales, and George Ravenscroft had invented a clear lead-based glass that quickly replaced Venetian glassware. 
C18th English ale glasses bore no resemblance to the chunky glass tankards of today.  Because ales were much stronger, C18th glasses were smaller, only four to five inches high.  Elegant and beautiful, they were similar in design and decoration to wine glasses. 
Ale flutes appeared in the mid 1700s. Made of high-quality glass they had a narrow elegant bowl on a long decorative stem with a circular foot. An engraving of hops or barley on the bowl was all that distinguished them from those used for champagne. 

Excerpt:
At five o’clock exactly Melanie stood outside her father’s study door, her pulse loud in her ears. She squared her shoulders and drew in a deep breath before releasing it slowly.
Tapping the door with her knuckles she entered a comfortably shabby room with wood-panelled walls, heavy furniture, and a faint aroma of brandy and cigars.
Coming from behind his desk he indicated a leather armchair on one side of the hearth then seated himself opposite.
‘Now, my dear.’ Crossing dark-trousered legs he smiled at her, linking his fingers over his stomach. ‘Tell me what happened. I believed you to be in France with your mother. How is she?
‘Very well, though her condition –’
‘Condition?’
‘She is expecting another child.’
‘I see. And her husband?’
‘Monsieur is also in good health,’ Melanie answered, carefully expressionless.
‘So why are you not still in France?’
‘When my mother wrote inviting me to Paris, I thought –’ I thought she wanted to meet the daughter she had last seen as a four-year-old. I wanted to find out why she had abandoned me. Melanie cleared a painful tightness from her throat. ‘I had many hopes for my visit.’ So many hopes, so swiftly crushed.
‘You know how important art is to me so I think you will understand my longing to see the paintings in the Louvre? Also, if it was possible, I wanted to visit the studios of some of the artists working in Paris.’
‘What did you think of the Louvre? Magnificent, is it not?’
Melanie relived bitter disappointment as she shook her head. ‘I did not see it. There was never time.’
‘Why not?’
‘My mother and her husband have a very busy social life.’
‘Oh well, at least you made some new acquaintances.’
‘No.’ His startled expression had her torn between laughter and tears. ‘I remained at their apartment looking after the children. They have four-year-old twin boys.’ As Melanie had begun to wonder if her mother’s friends knew of her existence, she realised her summons to Paris had sprung not from any resurgence of maternal affection but because her mother was at her wits’ end.
‘They are sweet boys but very boisterous. There have been numerous nursemaids but none stayed long. I think with more time I might have had some success. But when they told me about the voyage –’
‘What voyage?’
‘To Quebec.’
Frederick Tregarron frowned. ‘Your mother never mentioned this when she wrote to me asking for your direction and my agreement to your visit.’
Within a week of arriving in Paris Melanie had seen her hopes of a joyful reunion with her mother for what they were: dreams with all the substance of mist. Her only value was as an unpaid nurse for the children. Her passion for art had been dismissed with the careless flick of a hand, of no interest to a woman who cared only for fashion and company.
‘You did not wish to accompany them?’
‘No,’ Melanie said flatly.
‘Don’t be ridiculous,’ her mother had cried. ‘You must. I need you. Besides, what else would you do? You cannot stay here.’
Pretending a calm she did not feel, Melanie had said, ‘I shall return to England as soon as possible.’ Please don’t ask why. What could she say? Of what could she accuse him? He had done nothing exceptional, said nothing untoward. He was handsome, wealthy, and her mother adored him. Yet the moment they were introduced and he bowed over her hand she had felt a shiver of unease.
But her mother did not ask. Instead, shouting accusations of selfishness and ingratitude, she had burst into noisy sobs and flung herself into her husband’s arms.
As he patted his wife’s back, Melanie saw the fractional lift of an eyebrow and the hint of a sardonic smile.
Her skin tightening at the memory, she looked directly at her father.  ‘I could not remain in Paris. So I came back.’

Book Blurb:
Santo Innis is developing a revolutionary new engine to counter the lethal effects of high-pressure steam. His backer is Richard Vaughan, heir to Frederick Tregarron, owner of Gillyvean estate.
Following the tragic deaths of his wife and baby son, Richard immersed himself in work. But his world is turned upside down by the unexpected arrival at Gillyvean of Melanie Tregarron, a talented artist and Frederick’s illegitimate youngest daughter.  
Desperate to prove the viability of his invention, Santo persuades Richard to let him fit one at Gillyvean’s brewhouse. 
But when Bronnen Jewell - worried about her mother's suffering at her father's hands - arrives to brew the harvest beer she's horrified, fearing loss of the income on which she depends.
As the lives of these four become entwined, a shocking revelation shatters Bronnen’s world; desperate for money Santo makes a choice that costs him everything; Melanie fears she will never be free of her past; and Richard has to face his deepest fear. 

Buy links:

Paperback:

Author bio:
Jane Jackson has been a professional writer for over thirty years, and twice shortlisted for the Romantic Novel of the Year Award. Crosscurrents is her twenty-eighth published novel. 
Happily married to a Cornishman, with children and grandchildren, she has lived in Cornwall most of her life, finding inspiration for her books in the county's magnificent scenery and fascinating history.
She enjoys reading, research, long walks, baking, and visiting Cornish agricultural shows where her husband displays his collection of 28 (and counting) restored vintage rotavators.

Wednesday, 18 June 2014

THE DUKE'S HEIR

77p & 0.99c.

The Duke's Heir is now available on Amazon - this story is a favourite of mine and I hope this taster is sufficient to tempt you to buy it.
http://amzn.to/1i9VnzP (.com)
http://amzn.to/1qrLTSK (UK)

‘Mama, shall I arrange to have the roof mended or not?’ Emily waited, fists clenched, for her mother to reply.
‘What was that, my love?’
‘The roof, Mama, shall I get it repaired?’ Her mother frowned and closed her eyes again.
‘Whatever you please, my love. You know best.’
She watched her mother sink back into a deep sleep and her eyes filled. It had been so different two years ago, before her father had been killed in a carriage accident. Then Glebe House had been a happy place; her mother lively and beautiful.
Now she lay on the chaise longue all day, taking no interest in anything, making no decisions, leaving everything to her. Her mother was only two and forty but looked years older. Her lovely brown hair was fading and her skin held an unhealthy pallor. Emily realised she was watching her mother slowly fade away, but there was nothing she could do about it.
Her father had died, taking his annuity with him. The small estate produced barely enough revenue to keep herself, her mother, and her two younger sisters, Amelia aged thirteen and Serena aged nine, from penury. She sighed and crossed the room to pull up the patchwork comforter, sad to see that her mother’s skeletal frame barely made a dent in the cover. She returned to the study to continue her search for a way to keep her small family afloat. Her youngest sister poked her head around the door.
‘Em, are you coming for a walk with us? Mary says we can go and look for blackberries in the woods.’ Serena already had her cloak and walking boots on ready for the promised outing.
‘No, Serena, I’m sorry, I have too much to attend to this morning. But I will be up this afternoon to see how well you have learnt yesterday’s lessons.’ Emily reached down and refastened Serena’s bonnet string. The early autumn weather was fine, but since her younger sister’s near fatal illness two winters before, she had remained susceptible to chills and fevers.
Serena grinned. ‘Millie has not finished her French so you had better not come up before teatime.’ There was a clatter of boots on the uncarpeted stairs behind them.
‘I have finished; do not tell tales, Serena. I did it just now.’
‘I am delighted to hear it, Millie.’ Emily kissed her sister and automatically rectified the girl’s appearance. ‘Must you always look so harum-scarum, my dear? If you travelled about the place a little more slowly I’m certain you would get less dishevelled.’
Amelia was at that stage when she appeared to be all legs and arms and flying hair. But even at thirteen her oval face with her huge violet eyes, framed by tumbling nut-brown curls, gave promise that she would be a great beauty in years to come.
Millie shook her head dislodging several more strands of hair from what was meant to be a tidy, waist-length braid. ‘I like to run, Em; I would never have time enough to do all the things I wish to do in a day if I walked everywhere, as you do.’
‘I’m a responsible adult of almost twenty years. I can hardly race about Glebe House. Mama would be scandalized.’ They all knew their beloved mother scarcely noticed their existence but she liked to pretend things were as they should be. She would do anything to make life easier for Serena, Millie and her mother.
Mary, the girls’ nurse, appeared, a trifle breathless, from the narrow servants’ passageway. ‘Goodness me, Miss Millie, you fair wear me out! I can scarce keep up with you.’
‘Then don’t try, Mary. We’re quite content to wait for you.’ Mary had nursed all three of them with love and devotion but was now in her middle years, finding her energetic sister a sore trial to her plump legs.
‘It’s unladylike to run downstairs, Miss Millie, and well you know it.’
Fearing another argument Serena intervened. She slipped her hand into Mary’s. ‘Mary, shall we go and fetch a basket from Cook? If we’re to pick blackberries we will need something to put them in, will we not?’
‘I’ll run and get one. Wait here for me.’ Millie was gone with a flurry of fading blue calico and crisp starched cotton, leaving them no choice.
Emily laughed. ‘It’s no good fretting, Mary. Millie will grow out of it; after all I did, did I not?’ She watched the three depart, chattering happily, down the weed filled drive and closed the heavy oak front door before returning to her duties. It seemed a lifetime since she'd had either the freedom, or the inclination, to dash about the place.
The past two years had been grey and oppressive. Angrily she slammed the study door behind her. Her maternal grandfather, the Duke of Westerham, was entirely to blame for their present miserable situation.
Her mother, Althea, had been born unexpectedly to the duchess when in her forties, and had been much petted and spoilt by both doting parents. Her older brother, Peregrine, had already left home and set up his own nursery by the time his parents presented him with an infant sister. He had viewed the whole proceedings with extreme distaste and had never exchanged more than a few words with his sibling.
When her mother had married, against the wishes of her parents, to her father, a country squire of impeccable birth but moderate income, the duke and duchess had been displeased. However, all might have been well if the duchess had not died soon afterwards before they could be reconciled. The duke had unfairly blamed his daughter for his wife’s death and had never forgiven her.
Whilst her father had been alive she knew her mother had been able to contain her grief at the duke’s harsh treatment, but now the misery of losing her husband had uncovered the old wound and the situation was proving too much for her. Mama was suffering from a nervous condition which became worse as each day passed. This decline had started immediately after she had become a widow.
Emily had written to her grandfather telling him of her father’s death, and her mother’s poor health, but had received no response. She knew there was no point applying to her Uncle Peregrine for he had died many years ago. She supposed that she must have cousins and second cousins but the connection was too distant to be of any use to her now.
Her spirits sank when she looked at the pile of papers on the desk. These were all demands for payment and she had scarcely enough funds to cover them. And now the roof had sprung a leak and there was nothing she could do about it. At this rate Glebe House would fall down around their ears before they had the wherewithal to repair it.
She sank back on one of the threadbare, sagging chairs and her shoulders slumped. What could she do? Was there no way out or did certain ruin face them? Where could she obtain the necessary money to solve their problems?
She sat up and clapped her hands to her mouth as an incredible notion occurred to her. Yes; this was the only way. She would find a wealthy man and marry him. She frowned as a potential problem occurred to her. She didn’t know any men, wealthy or otherwise. But she knew someone who did!
She scrambled up and hurried over to the desk. She pushed the pile of bills to one side and placed a clean sheet of paper in front of her. She would write, one last time, to her grandfather. He was, after all, her guardian and the head of her household, even if so far he had completely ignored his duties.
She carefully trimmed a quill and prepared to write the most difficult letter of her life. She was going to ask her grandfather to find her a suitable husband. Years ago he had arranged a match for his daughter, but she had refused his choice. Perhaps his granddaughter’s willingness to be married to a man that he selected would heal the breach between the families.

If her mother had been well Emily would not have contemplated such a drastic step, but in the present circumstances she doubted that her decision would be questioned.

Tuesday, 3 June 2014

How much does the price of a book influence sales?

I know I've covered this subject recently but it's still one that I've not quite fathomed. At the end of every month I list the individual sales of books and can then see which titles are selling well and which ones are lagging behind.
I noticed that most of my full-length regencies priced at £1.99 had sold only a handful of copies in May, whereas the ones priced at 77 p and 99 p had sold hundreds, and in some cases thousands.
Out 20th June £0.77
Although I still think longer books should be more expensive than shorter ones, I'm worried that ten of my titles are failing to attract readers. Therefore I've taken the decision to reduce the price of these books to 99 p for a month and will see if that makes any difference.
I have several writer friends who price all their books at 99 p regardless of length and others who price them all at £1.99. I still have my 30,000 word novellas at the lowest price of 77 p and I must say these seem to sell in thousands rather than hundreds.
I'm wondering if it's becoming harder to sell  Regency titles because there are so many new indie published writers joining an already crowded market.
I've been reading on other blogs that indie-publishers, with no previous publishing history, have sold 65,000+ ebooks this year – that's a lot of readers and very impressive. Most of these writers are writing contemporary romance and crime, which I think are the most popular genres at the moment.
My World War II books, especially the Barbara's War series, continue to attract readers and they are priced at £1.99. I'm assuming that family sagas have a different readership to a frothy, light-hearted Regency romance.
What do you think? Do you only buy books that are under a certain price regardless of the author?



Tuesday, 20 May 2014

Lords & Ladies Box Set

Box Set £1.99

Yesterday I released my first Lord & Ladies box set and, as all the stories were 30,000 words novellas, I decided to put four titles in this one. Lord Atherton's Ward is very high on the Kindle historical romance charts and I was not sure if putting the book in this box set was a good idea. I have a feeling that the readers who buy box sets are not the same as the readers who buy single titles – anyway, I hope this is true.
I now have five box sets available – two at £1.99 and three at £2.99. As always it's a moot point whether to have everything priced as low as possible and sell more copies, or to price according to the length of the book (as I do) and make about the same in royalties.
I think that novellas should be cheaper than full-length books and this is why I price is I do. However, I know other Regency writers who sell well with box sets at £4.99 and full-length books at £2.99 – sometimes I wonder if pricing books to go devalues and somehow in the eyes of readers.
What do you think?

Sunday, 4 May 2014

Another Birthday - Why Don't I feel My Age?

New garden bed.

Mary Berry's Lemon Cake
Yesterday was my birthday and I celebrated by inviting my friends and family to afternoon tea. I love to bake and spent a small fortune on new trays etc from Lakeland in order to be able to make the things in Mary Berry's new book.
I have to accept the fact that I am old in years (I could hardly have celebrated my golden wedding if I wasn't) but I don't feel any different mentally than I did 20 years ago.
In fact, if anyone had told me 20 years ago that I would be successful, multi-published novelist making more money from royalties than I ever did as a full-time teacher, I wouldn't have believed them.
I'm living the dream – spend my time writing, have a wide circle of wonderful writer friends, a one year old grandson as well as two adult grandchildren. Admittedly I do miss living in five acres of unspoilt woodland, but I don't miss the dilapidated, dark, old cottage that went with it.
Having buses and trains within 5 min of the house in one direction and stunning country walks and the river 2 min in the other, more than compensates.
If it wasn't for the fact that my husband, 14 years older than me, suffers from poor health and we can no longer take holidays abroad, and neither can I leave him overnight, I would say that my life is far better than it was 20 years ago.
By the way, the cake is delicious and I'm just going down to have another slice and a cup of hot chocolate before going out to lunch. The diet starts tomorrow!