Friday, 1 April 2016

I'm a believer!

£1.99  & $2.99
Everyone had been telling me about the wonders of a Bookbub promotion – that it would be career changing if I was lucky enough to be able to get on to their list.
It would appear that for every thousand applicants only one hundred are taken on.
I was distinctly dubious – how could spending £300 in order to give away thousands of books help my career?
However, I decided to apply and, to my astonishment, Barbara's War, the first in my three book series, was accepted. £267 was a little less than I'd been anticipating, but still a huge amount of money to invest on the off chance of getting noticed in the States.
Over a period of twenty-four hours I had thirty-two thousand downloads in America, five thousand in the UK and three thousand elsewhere in the world.
The book went to number one on the free book chart on Amazon in America. I couldn't believe it.
What was even more gratifying was that I sold enough copies of the other two books in the series, also in America, to pay for the promotion.
I also got forty new subscribers to my e-list and I'm hoping that there will be more reviews forthcoming as well.
I'm definitely a believer in the efficacy of Bookbub. I shall  apply to have another of my World War II books put into the system in a couple of months time.

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Fenella J Miller

Monday, 14 March 2016

Have the changes in publishing been positive or negative for writers?

As always my mid month post is not about my books but a reflection piece. I don't know how many of you are aware of the fact that the last figures that came out showed indie writers having 45% of e-book sales on Amazon and the big five having only 23%.
If you look at the graphs you will see a steep rise in the sale of indie books and just as steep a decline in books put out by the big five publishers. The smaller presses are just about holding their positions. This means that those who were fortunate enough to get a contract with Orion etc have seen a dramatic fall in net income from e-books. The sale of paper books seems to have increased rather than fallen for the big five – so not all bad news for those with contracts with them.
Indie e-books are, on the whole,  a fraction of the cost of those published by the big five. They are also, on the whole, indistinguishable from those put out by traditional publishers. I suppose there are still some new writers who don't understand the necessity of having a professional cover/edit/proof read for their books – but the days of thousands of unreadable e-books being produced has long gone.
Amazon has now introduced a control mechanism were if a reader complains about errors in an indie book they will ask the writer to correct his mistakes or the book will be removed. Let's hope this doesn't lead to trolls using this tool to cause headaches for writers they have taken an unwarranted dislike to.
Being a published writer has never been easier. It's no longer necessary to have an agent or a mainstream deal in order to get your books in front of readers. I see the role of an agent having to change over the next few years or they will disappear completely.
Already publishers are asking hopeful writers to submit a sample on a website where their editors can browse and pick up anything they think might be a possibility. I believe that one or two agencies are also using this method – this will mean that the dreaded slush pile will be a thing of the past.
Samhain, a well-respected e-publisher, has collapsed and I know of several writers who got their main income from them. This is because a publisher can't match the low prices of an indie writer's e-books.  Readers want cheap books and a steady supply from the writers they like. An indie-writer can publish four or five new titles every year whereas a traditional publisher will probably only bring out two from any author.
So – do I think things are changing the better? When I started self publishing four years ago not many people were doing it and this gave me a head start. The fact that I had such a long back list meant I could put up a new title most months and this is crucial if you want to succeed in this buyer's market.
When I put up my first three box sets, again several years ago, this was also a brand-new concept and I was selling almost 1000 a week. Now everyone is doing it and unless you price very low you don't sell many.
Last year I got together a brilliant team of Regency writers and we produced three box sets. Again the first two did fantastically well but by the time the third one came out other writers had jumped on the bandwagon and our sales plummeted.  It's possible to get a ten author box set for less than a dollar – so why would a reader by ours at $3 for five books?
Small publishers are going bust because they can't compete with indie-writers. This makes it harder and harder for a new writer to get a foothold with a traditional publisher. Unless a writer has been through the process of professional editing etc with a traditional publisher it can be difficult to know exactly how to produce their own books.
This means there are hundreds of thousands of hopeful writers producing books themselves and the market is now flooded. In order to make in any sort of impact, and any sort of living, you have to be a social media expert as well as having written a riveting story.
Most of the writers I know in my main genre, Regency, have seen a sharp downturn in sales over the past couple of years. Their author ranking might well have remained the same, but their slice of the pie is now much smaller as there are so many excellent writers putting out a regular supply of books.
I'm maintaining my position, but only because I produce something new every month. Of course only half the things I release are new – six new books a year is my limit. I know that as soon as I stop writing so prolifically my income will fall.
Now to answer the question. "Have the changes in publishing been positive or negative for writers?"
For me I can answer with a resounding yes – but I am one of the lucky ones. For those dreaming of breaking into the traditional publishing arena it's become far more difficult. The steady demise of traditional publishers and e-publishers cannot be good for any of us.
What do you think? If you are just starting out today would you be searching for an agent and traditional publisher or heading down the  self-publishing route?

Wednesday, 2 March 2016

The Duke & Miss Bannerman

£1.50 $1.99
The Duke & Miss Bannerman is my offering for March. This book was first published by Musa – now defunct – several years ago and hasn't been available for sale for a couple of years.
I was horrified to discover how many inaccuracies and errors were in the book considering it had been edited professionally and proofread.
I was new to indie publishing in those days and thought that if the book had been proofread by a professional then I didn't need to do it again – how wrong was I!
Throughout the book I had referred to the duke as 'Lord Bentley' which is totally wrong and should have been picked up by my editor. There were also dozens of other minor errors which have now been corrected.
In a way it's a relief to know that despite my decrepitude I am still learning and improving my craft.
The book was also released as a pocket novel and in large print with the original inaccuracies. I can assure you this will never happen again.
I have an excellent editor and proofreader working with me as well as three beta reader. All my files also get two reads on a Kindle which makes sure all but one or two errors are eradicated.

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Fenella J Miller

Tuesday, 16 February 2016

How do you define a successful writer?

I just read an interesting blog about what criteria should be used to define a successful writer. Should it be down to the amount of sales? The number of good reviews? Whether you have won a prestigious literary prize? How much money the writer is earning? Or something else entirely – such as having their name and face recognised by the general public or having a film or TV series made for one of their books.
Also is a successful writer also a good writer?
I'll deal with the sales question first by posing another question:
To be successful does the writer have to sell thousands of copies of one title or can they be considered successful if they have dozens of books selling moderately well?
An author could have a runaway bestseller, sell half a million copies, and never write another book. Are these still successful writers?
I fall into the category of selling moderately well across dozens of titles with an occasional 'bestseller' in a few of the Amazon categories.I'm not sure if I would be considered successful or not using the sales criteria.
To move on to the second question – that of reviews.
My Regency books garner only a handful of reviews – mostly positive – but some stinkers too. However, my WW2 family sagas receive far more reviews but sell fewer copies.
I know a lot of store is put in having hundreds of five-star reviews on Amazon – they seem to be thought of as the holy grail – but when I check their sales ranking more often than not my books rank much higher than theirs. So which of us is the more successful?
Winning the Booker prize or some other such prestigious literary accolade could  be considered the pinnacle of success – but often these books fall into obscurity within a few months and sell only a few hundred copies. The writer has prestige but could they be considered successful?
Now I shall discuss  the question of money.
I make more than a living wage from my writing – 50% more than I got when I was working full-time as a top of the scale teacher. I consider that very successful but my aspirations and needs are possibly more moderate than others.
Do you have to do earn hundreds of thousands of pounds in royalties to be considered successful? In my opinion this decision is subjective. If I was just starting out, was half my age, I would probably think my writing royalties insufficient as my monetary needs would be much higher than they are now. Therefore, possibly success in terms of income is relative to each writer. I have a writer friend who is happy to earn a fraction of what I do. This pays for two luxury holidays year and so she considers herself to be successful as she's achieving what she wants.
I think that it would be hard to dispute the fact that being internationally recognised/having a film or TV series made from one of your books makes you successful in everybody's eyes. To have achieved that you must tick all the criteria boxes I mentioned above.
It would be wonderful to be able to produce one book a year like Lee Child or Bernard Cornwall and know you will sell millions of copies – but there are only a handful of writers that fall into this category.
I often see the names of indie writers quoted as being incredibly successful, having sold millions of copies of their books, and yet I've never heard of them. So maybe being internationally and universally recognised are not necessary criteria for being considered successful.
In conclusion let's consider if a commercially successful book is a good book. Fifty Shades of Grey illustrates this point perfectly. I found the book unreadable but millions of others didn't. It was definitely successful but I've not heard many, even the most devoted readers, say it was well written.
I would love to hear your views on this subject – maybe we can come up with a list of what makes a successful author.
Fenella J Miller

Monday, 1 February 2016

Valentine Kisses - Regency Romantics Box Set 2016

$2.99/£1.99
The first of this year's  multi-author box sets is now live on Amazon. We have changed the name to Regency Romantics because Wendy Soliman has rejoined the group, which means there are now six of us. Therefore, Regency Quintet was no longer an option.
Monica Fairview is still part of the group but hasn't put a book in this time. However, there might well be six books in the next offering.
Elizabeth Bailey's book, A Chance Gone By, is a specially written new title. The other stories have all been published before.
We are aiming to get all new stories in the Christmas edition, which will be a real achievement.
I'm no longer hosting the box sets and have gratefully passed it on to Amanda Grange. Our intention is to take this  task in turns, so that means I won't have to do it again for another five years – if we are all still publishing a box set by then.
I love being part of a group of writers as it can be a lonely business sitting at your computer all day. We are now having twice yearly meetings in London where we can exchange views and discuss plans for the future.

I think this is an excellent selection of stories and hope that you think so too.

Fenella J Miller

Friday, 15 January 2016

The Duke's Alliance - A Suitable Bride

£1.99 / $2.99
The first book in my new Regency series, The Duke's Alliance – A Suitable Bride is now available to buy at all Amazon stores.
Here is the blurb to give you an idea what the book is about.
Lord Bennett Sheldon, heir to his brother, The Duke of Silchester, is shocked to discover his profligate father had, before his death, depleted the family coffers by his gambling. Bennett, who resigned his commission on becoming his brother’s heir, decides that it is his role to save the family by finding himself a suitable bride. 
The duke reluctantly agrees to this plan and his younger sister, Lady Madeline, is thrilled to arrange a grand house party to which a selection of eligible young ladies is invited. Beau, the duke, is adamant that Bennett will only marry a girl with an impeccable pedigree as well as a vast fortune. 
Miss Grace DuPont has no wish to marry; she prefers to run her stud and take care of her beloved horses. However, her father is determined to gain entrance to the drawing rooms of the ton and believes his wealth and Grace’s beauty will be enough to attract an aristocratic suitor. 
Mr DuPont blackmails Lord Peabody into including Grace in the invitation to the house party but she will have to masquerade as member of Society and Lady Peabody’s goddaughter. She is forced to obey her father and, with her stallion, her three dogs and her companion, sets out for Silchester Court. Her intention is to remain in the background, for if her true identity is disclosed she will be evicted. 
Grace and Bennett are drawn to each other but she knows when he discovers who she is he will be disgusted. If he marries her he will lose his position in the family and be banished from Silchester Court. Can this dilemma be resolved or will Grace be left broken hearted? 

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Saturday, 2 January 2016

The Duke's Alliance - A Suitable Bride


I'm pleased to tell you my first new title for 2016 is now available to pre-order. I t will be released on 15th January. This will be the first of a six books series - the second The Duke's Alliance - A Dangerous Husband - will be published in early summer. 

The Duke's Alliance Series 
Book One: A Suitable Bride 

Lord Bennett Sheldon, heir to his brother, The Duke of Silchester, is shocked to discover his profligate father had, before his death, depleted the family coffers by his gambling. Bennett, who resigned his commission on becoming his brother’s heir, decides that it is his role to save the family by finding himself a suitable bride. 

The duke reluctantly agrees to this plan and his younger sister, Lady Madeline, is thrilled to arrange a grand house party to which a selection of eligible young ladies is invited. Beau, the duke, is adamant that Bennett will only marry a girl with an impeccable pedigree as well as a vast fortune. 
Miss Grace DuPont has no wish to marry; she prefers to run her stud and take care of her beloved horses. However, her father is determined to gain entrance to the drawing rooms of the ton and believes his wealth and Grace’s beauty will be enough to attract an aristocratic suitor. 
Mr DuPont blackmails Lord Peabody into including Grace in the invitation to the house party but she will have to masquerade as member of Society and Lady Peabody’s goddaughter. She is forced to obey her father and, with her stallion, her three dogs and her companion, sets out for Silchester Court. Her intention is to remain in the background, for if her true identity is disclosed she will be evicted. 
Grace and Bennett are drawn to each other but she knows when he discovers who she is he will be disgusted. If he marries her he will lose his position in the family and be banished from Silchester Court. Can this dilemma be resolved or will Grace be left broken hearted? 

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Happy New Year 
Fenella J Miller